ORIENTAL DANCE
Teacher Alessia Di Cara every Friday from 20.30 to 21
Oriental dance has very ancient origins, it was born as a ritual dance, practiced in ancient Egypt to symbolize the fertility of women. It is a dance that is based on the knowledge of the whole body and on the activity of all the muscles that move it, it is based on a perfect awareness of the link between mind and body and generates psychological conditions in those who practice it that positively affect the organism, so much so that it can be used as a real therapy for some physical ailments. Oriental dance combines a deep and innate feeling with the ability to express the subtleties of music through a great technique; learning this art means taking care of your body, an instrument of expression and a living and main part of our life, improving our level of physical perception, coordination and body alignment.
ALESSIA DI CARA
She began her career in the study of oriental dances at the age of 17 with Sabah Benziadi, an Algerian dancer of international fame, after three years of study, she joined her ballet troupe thus participating in national events and events. among the most important:
TAOART 2004 Greek theater of Taormina and 2011 for the representation of "THOUSAND AND ONE VELO" and "JASSIRET EL ALHAM" at the Greek theater of Taormina, participation in the Bisceglie festival for the representation of "A THOUSAND AND SEVEN VELI", participation in tours from 2004 to 2011 in Sicily for the representation of "A THOUSAND AND SEVEN VELI" and "PALMA CLANDESTINA" at the Greek theater of Segesta and Palazzo dei Normanni Palermo;
After eight years of study she begins her career in teaching, she studies and obtains the diploma of teacher of oriental dances MIDAS and FIDS (ITALIAN FEDERATION DANZA SPORTIVA) in Rome; participates in many internships with internationally renowned masters: Sadie Marquarat, Wael Manosur, Simona Minisini, Yael Torkinsky, Mo Geddawi, Mohamed Shahin, Sara Pappalardo, Giorgio Rizzo and many others.
He goes to Egypt (2009) to perfect his technique by studying with Egyptian masters, arriving at a personal style that brings this dance to its rightful place among dances rich in elegance, aesthetic form, delicacy and passion.